The New Media 1919-1939
Migrant Mother by D. Lange
Time's Man & Woman of the year
Wurlitzer jukebox
Life
1939
Life
1937
Propaganda from
WWI
"its first use in an organized, scientific manner"
British
WPB
British bureau of Gilbert Parker,
Lord Northcliffe
CPI, George Creel on Wilson's Censorship Board
"engineering of consent" (W. Lippmann's
Public Opinion
)
John Reed
and the
Bolshevik Revolution,
Eisenstein's
Soviet montage
Ramparts We Watch
film by Time Inc.
Tabloid Newspapers
Evolution from the
New Journalism
William Randolph Hearst
Newsreels
silent weekly releases after 1911 Pathe
sound biweekly issues after 1927 Movietone
March of Time
monthly "pictorial journalism"
Radio networks
evolved from earlier experimental
radio history
NBC in 1927, CBS in 1927, MBS in 1934
David Sarnoff of RCA, William Paley & sponsors
entertainment but also news bureaus for
Radio News
)
FDR
and
Fireside Chats
centered national attention on the presidency
humanized government, intimate and informal
"documentary expression" - vivid and credible
New Deal documentary
FSA photography
Plow That Broke the Plains
We Work Again
Documentary films
The Helping Hand
by Bill Moyers
Federal Theater's
Cradle Will Rock
Hollywood's
Golden Age
Jimmy Cagney in
G-Men
1935 = affirmation
Frank Capra's
It Happened One Night
1934
Walt Disney's
Snow White
1937 = idealization
Sound Revolution
and
Movie Palaces
Candid photography
35mm Leica 1925, not
Weegee
Fellig's Speed Graphic
Patterson's N.Y.
Daily News
tabloid 1919
Time-Fortune-Life
of Henry Luce
amateur photography of the
Hindenburg
home sound movies
after RCA 16mm camera 1934
Phonograph records
evolved from earlier
phonograph history
Bessie Smith
recorded on wax
Decca 78 rpm electric "high fidelity"; AMI jukebox
"
Voice of the Century
" TV documentary on
Bing Crosby
Magazines
magazine revolution
- style and design
Art Deco 1925, R. Loewy, Coco Chanel,
Vogue
Time, Inc.
Propaganda of
WWII
Why We Fight
of
Frank Capra
Triumph of the Will
of
Leni Riefenstahl
Filmnotes for the
Wonderful, Horrible Life of Leni Riefenstahl (1993)
Links:
History of Recording Technology
notes and bibliography.
Depression links
The Public Eye
film with Joe Pesci playing a Weegee-like character in 1940's New York.
Fireside Chats
from
FDRL
FSA and OWI
color photos
and
bibliography
from Library of Congress
The Photography of Arthur Fellig
from the Brown University David Winton Bell Gallery
Graflex company page
with articles on the Speed and Crown Graphic press cameras, flashbulbs, Weegee, women photographers, and more.
Timeline of Photography
from
George Eastman House
Books and Articles:
Barnouw, Erik,
Documentary, A History of the Non-Fiction Film
, NY: Oxford, 1974.
Bergman, Andrew,
We're In the Money, Depression America and Its Films
, NY: Harper, 1971.
Buxton, Frank and Bill Owen,
The Big Broadcast, 1920-1950
, NY: Avon, 1968; revised and expanded edition 1972 published by Viking.
Carpenter, Lynette, ""There's No Place Like Home': The
Wizard of Oz
and American Isolationism,"
Film and History
, vol. XV no. 2, 1985.
Fielding, Raymond,
The March of Time, 1935-1951
, NY: Oxford, 1978.
Fox, Stephen,
The Mirror Makers, A History of American Advertising and Its Creators
, NY: Random, 1984.
Kery, Patricia F.,
Art Deco Graphics
, NY: Abrams, 1986.
Lippmann, Walter,
Public Opinion
, NY: Harcourt, 1922.
Rossi, John, "Hitchcock's
Foreign Correspondent
(1940),"
Film and History
, vol. XII, no. 2, 1982.
Schickel, Richard
,
The Disney Version
, NY: Avon, 1968; revised paperback edition 1985 published by Touchstone.
Stott, William,
Documentary Expression and Thirties America
, NY: Oxford, 1973.
revised 7/20/05 by
Schoenherr
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